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            <p><font color="#FF6600" size="2" face="Verdana, Arial, Helvetica, sans-serif"><strong><br>
              </strong><font color="#999999"><strong>DIACRITICS</strong></font></font></p></td>
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          <td height="20" align="left" valign="top" bgcolor="#FFFFFF"><font size="1" face="Verdana, Arial, Helvetica, sans-serif"><a href="#about">about</a> 
            | <a href="#staff">staff </a>| <a href="#forthcoming">forthcoming 
            issues</a> | <a href="#conference">call for papers</a> | <a href="#submission">submission guidelines</a> </font></td>
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          <td width="463" height="2305" align="left" valign="top" bgcolor="#FFFFFF"> <p><font size="1" face="Verdana, Arial, Helvetica, sans-serif"><strong><a name="about"></a>ABOUT|</strong></font></p>
            <p><font size="1" face="Verdana, Arial, Helvetica, sans-serif"><em>Diacritics</em>, 
                a review journal of criticism and theory, was founded in 1971 by 
                the Department of Romance Studies, under the editorship of David 
                I. Grossvogel. Published by <a href="http://muse.jhu.edu/journals/diacritics">Johns Hopkins University Press</a> since 
                1977, the journal maintains editorial offices in the Department 
                of Romance Studies at Cornell. Members of its editorial board are 
                Cornell faculty and graduate students who are nominated and elected 
                by the board.<br>
              <br>
              <em>Diacritics</em> was one of the first academic journals to bring 
                continental theory to the US. In the 1970s, it published translations 
                of the work of Jacques Derrida, Michel Foucault, H&eacute;l&egrave;ne 
                Cixous, Philippe Lacoue-Labarthe, Jean-Luc Nancy, and Umberto Eco, 
                and articles by Paul de Man, Gayatri Spivak, Edward Said, Fredric 
                Jameson, and Barbara Johnson. Historically its preferred mode has 
                been the review article that analyzes in detail the theoretical 
                arguments and assumptions of the most significant books in the humanities 
                and social sciences. It periodically publishes special issues on 
                topics or on thinkers of great current interest. Over the last twenty 
                years <em>Diacritics</em> has published important work in gender 
                studies, cultural studies, queer studies, political theory, literary 
                theory, and psychoanalysis, including articles by Judith Butler, 
                Ernesto Laclau, Leo Bersani, and Slavoj Zizek.<br>
              <br>
              <em>Diacritics</em> maintains its role as one of the most distinguished 
                academic journals on the scene, as it continues to embrace a plurality 
                of theoretical approaches and critical perspectives.<br>
              <strong><br>
              Editorial offices:</strong><br>
              <br>
              <em>Diacritics</em><br>
              Department of Romance Studies<br>
              Morrill Hall, Room 105A <br>
              Cornell University<br>
              Ithaca, NY 14853<br>
              Email: <a href="mailto:diacritics@cornell.edu">diacritics@cornell.edu</a><br>
              <br>
              Laurent Dubreuil, Editor<br>
              <a href="mailto:ld79@cornell.edu">ld79@cornell.edu</a><br>
              <br>
              Diane Brown, Managing Editor<br>
              <a href="mailto:db662@cornell.edu">db662@cornell.edu</a></font></p>
            <p><font size="1" face="Verdana, Arial, Helvetica, sans-serif"><strong><br>
              </strong> </font><font color="#333333" size="1" face="Verdana"><strong><a href="#TOP">&lt;TOP&gt;</a></strong></font><font size="1" face="Verdana, Arial, Helvetica, sans-serif"><strong><a href="#TOP"><br>
              <br>
              <br>
              </a><a name="staff"></a>STAFF| </strong></font></p>
            <table width="429" cellpadding="6">
              <tr align="left" valign="top">
                <td width="214"><p><font size="1" face="Verdana, Arial, Helvetica, sans-serif"><strong>EDITOR</strong><br>
                Laurent Dubreuil</font></p>
                <p><font size="1" face="Verdana, Arial, Helvetica, sans-serif"><strong>EDITORIAL BOARD</strong><br>
                  Gerard Aching<br>
                  Karen Benezra<br>
                  Bruno Bosteels<br>
                  Cory Browning
                  <br>
                </font><font size="1" face="Verdana, Arial, Helvetica, sans-serif">Timothy Campbell<br>
                Debra Castillo<br>
                Jonathan Culler<br>
                Mar&iacute;a Antonia Garc&eacute;s<br>
                Peter Gilgen<br>
                Mitchell Greenberg
                <br>
                Cary Howie<br>
                Patricia Keller <br>
                Richard Klein<br>
                Dominick LaCapra
                <br>
                Tracy McNulty<br>
                Natalie Melas<br>
                Satya P. Mohanty<br>
                Jonathan Monroe<br>
                Timothy Murray
                <br>
                Simone Pinet<br>
                Karen Pinkus</font><font size="1" face="Verdana, Arial, Helvetica, sans-serif"><br>
                    Marie-Claire Vallois
                </font></p>
                <p><font size="1" face="Verdana, Arial, Helvetica, sans-serif"><strong></strong></font></p></td>
                <td width="182"><p><font size="1" face="Verdana, Arial, Helvetica, sans-serif"><strong>MANAGING EDITOR</strong><br>
                Diane Brown</font></p>
                  <p><font size="1" face="Verdana, Arial, Helvetica, sans-serif"><strong>ADVISORY BOARD</strong><br>
                  Gil Anidjar<br>
                  Emily Apter<br>
                  Marina Scordilis Brownlee<br>
                  Susan Buck-Morss<br>
                  Tom Conley<br>
                  Mary Gaylord<br>
                  Roberto Gonz&aacute;lez Echevarr&iacute;a<br>
                  Neil Hertz<br>
                  Fredric Jameson<br>
                  Philip E. Lewis<br>
                  Alberto Moreiras<br>
                  Gerald Prince<br>
                  Joan Ramon Resina<br>
                  Hortense Spillers<br>
                  Geoff Waite<br>
                  Slavoj Zizek<br>
                  <br>
                  </font></p></td>
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            <p><strong><font color="#333333" size="1" face="Verdana"><strong><a href="#TOP">&lt;TOP&gt;</a></strong></font></strong></p>
            <p><font size="1" face="Verdana, Arial, Helvetica, sans-serif"><a name="forthcoming" id="forthcoming"></a><strong>FORTHCOMING ISSUES</strong><strong><font size="1" face="Verdana, Arial, Helvetica, sans-serif">|</font></strong></font></p>
            <p><font size="1" face="Verdana, Arial, Helvetica, sans-serif"><strong><em>Negative Politics</em></strong></font></p>
            <p><font size="1" face="Verdana, Arial, Helvetica, sans-serif">E</font><font size="1" face="Verdana, Arial, Helvetica, sans-serif">ditor: Laurent Dubreuil. Assistant Editor for this issue: Cory Browning<br>
              <br>
            </font><font size="1" face="Verdana, Arial, Helvetica, sans-serif">The idea is to focus (in a nondogmatic fashion) on the various forms   of negativity that might be at stake in the exercise of the political, from   "apolitisme" to the inner resistances to the political. We will translate the   introduction that Roberto Esposito gave to the revised edition of his<em> Categorie dell'impolitico</em> and a still-unpublished text from &Eacute;tienne Balibar   showing that the concept of class struggle is<em> not</em> political in Marx.   Other contributions should include a piece by Tim Campbell on Italian   "impolitical" cinema; an article by Bruno Bosteels on "apolitismo" and decadence   in fin-de-si&egrave;cle Latin America; a study by Geoff Bennington on the built-in   apoliticism of politics itself in Hobbes, Aristotle, and Rousseau; and a text on   the refusal of politics and society by Laurent Dubreuil, as a follow-up to his   recent<em> diacritics</em> article, "Leaving Politics." We should be able to   include one or two other articles (this is still in discussion with potential   authors), as well as offering an interview section.</font></p>
            <p><font size="1"><strong><font face="Verdana, Arial, Helvetica, sans-serif"><em>Special issue on Italian  Thought</em></font></strong> <font face="Verdana, Arial, Helvetica, sans-serif"><br>
              <br>
Editors: Sergia Adamo, Timothy Campbell, and  Lorenzo Fabbri </font></font></p>
            <p><font size="1" face="Verdana, Arial, Helvetica, sans-serif">From its first issue in 1971, which featured  Gian-Paolo Biasin proposing a rhetorical genealogy of structuralism, to  interviews with Umberto Eco, to Gianni Vattimo, to most recently a special  issue dedicated to Italian philosopher Roberto Esposito,<em>&nbsp;diacritics</em>&nbsp;has  been among the leaders in introducing an Anglo-American audience to some of the  most important Italian intellectuals writing over the last forty years. With  this history in mind, this special issue of<em>&nbsp;diacritics</em>&nbsp;will  provide a snapshot of the vicissitudes of contemporary Italian thought across a  variety of stances, styles, and ideologies, together with general reflections  on its political and philosophical stakes today. Contributors will include  Sergia Adamo, Giorgio Agamben, Kevin Attell, Franco Berardi, Remo Bodei, Bruno  Bosteels, Rosi Braidotti, Cesare Casarino, Adriana Cavarero, Roberto Esposito,  Lorenzo Fabbri, Carlo Galli, Karen Pinkus, and Paolo Virno. </font></p>
            <p><strong><font color="#333333" size="1" face="Verdana"><strong><a href="#TOP">&lt;TOP&gt;</a></strong></font></strong></p>
            <p><font size="1" face="Verdana, Arial, Helvetica, sans-serif"><strong><a name="conference" id="conference"></a>CALL FOR PAPERS<br>
              <br>
            Thinking <em>with </em>the  Sciences</strong></font></p>
            <p align="left"><font size="1" face="Verdana, Arial, Helvetica, sans-serif"><em>diacritics</em> is launching a mini-series of  thematic issues entitled &ldquo;Thinking <em>with</em> the Sciences,&rdquo; to be published in volumes 41 and 42. We believe it is now time  for scholars in the humanities and the literary disciplines to think <em>with</em> the sciences (and not <em>against</em>, or <em>instead of</em> them). Our title also  suggests that epistemology is necessary but not sufficient; and that the promotion  of an ancillary use of philosophy and the arts as illustrations or aesthetic adornments for &quot;scientific knowledge&quot; is not what matters.</font></p>
            <p align="left"><font size="1" face="Verdana, Arial, Helvetica, sans-serif"><strong>More than Global</strong></font></p>
            <p align="left"><font size="1" face="Verdana, Arial, Helvetica, sans-serif"><em>diacritics</em> is launching a mini-series of  thematic issues entitled &ldquo;More than Global,&rdquo; to be published in volumes 41 and  42. &nbsp;&ldquo;Humanists&rdquo; may be facing an urgent  task, or the discontinuous writing of what Susan Buck-Morss recently named a non-synthetic  but &ldquo;syncretic&rdquo; take on world history and cultures. In this mini-series, we  would like to bypass comparison, and go &ldquo;more than global,&rdquo; in connecting  discrete texts, phenomena, periods, images, languages, places&mdash;without unifying  them. While certainly keeping in view the discourse of the social sciences, we  seek to underscore the specificity of literary, critical, and philosophical  thought in any sound attempt at reflecting on what &ldquo;global&rdquo; could mean anew. </font></p>
            <p align="left"><font size="1" face="Verdana, Arial, Helvetica, sans-serif">For  both series, we welcome bold, broad, interdisciplinary, and theoretically  sophisticated submissions. Potential authors are invited to exchange over  e-mail with the new editor of <em>diacritics</em>,  Laurent Dubreuil, <a href="mailto:ld79@cornell.edu">ld79@cornell.edu</a>. </font></p>
            <p align="left"><font size="1" face="Verdana, Arial, Helvetica, sans-serif">Please  prepare manuscripts according to the <em>MLA Style  Guide</em>, Third Edition, and include an abstract. Completed manuscripts should  be sent as an email attachment to the managing editor, Diane Brown <a href="mailto:diane.brown@cornell.edu">diane.brown@cornell.edu</a>.&nbsp; Please indicate the series for which the  submission is intended. The submission deadline for &ldquo;Thinking <em>with </em>the Sciences&rdquo; and &ldquo;More than  Global&rdquo; is July 15, 2012.</font></p>
            <p><font size="1" face="Verdana, Arial, Helvetica, sans-serif"><strong><font color="#333333"><strong><a href="#TOP">&lt;TOP&gt;</a></strong></font></strong></font></p>
            <p><strong><font size="1" face="Verdana, Arial, Helvetica, sans-serif"><a name="submission"></a>SUBMISSION 
              GUIDELINES|</font></strong></p>
            <p><font size="1" face="Verdana, Arial, Helvetica, sans-serif">Notes 
              for Contributors to<em> Diacritics</em><br>
              <br>
              <em>Diacritics</em> is concerned with the problems of criticism and devotes 
              each issue primarily to review articles that discuss recent works 
              of criticism. The journal has no formal policy governing the choice 
              of books to be reviewed or critical perspectives to be explored, 
              and welcomes suggestions and contributions from all quarters. This 
              pluralistic policy does not imply advocacy of critical eclecticism: 
              diacritical discussion entails distinguishing the methodological 
              and ideological issues which critics encounter and setting forth 
              a critical position in relation to them. A review article is not 
              just a long review that summarizes the work(s) under discussion, 
              makes comparisons to other scholarship, and pronounces judgment; 
              it should be the occasion both for a critically positioned account 
              of the work(s) and&#8212;just as vitally&#8212;for a response or 
              supplement in which the reviewer's own theses and/or positions are 
              introduced and argued. Thus articles in this category should be 
              conceived as fully developed essays in which the critical reviewing 
              and the presentation of the author's own insights are integrated 
              by a unifying thesis or perspective.<br>
              <br>
              Prospective contributors are strongly urged to choose the review 
              article mode and to take into account the journal's aim to reach 
              a wide audience interested in the general problems of criticism. 
              <em>Diacritics</em> occasionally publishes articles in categories other than 
              that of review articles.<br>
              <br>
              TEXTS/CONTEXTS--essays dealing with major theoretical problems or 
              illustrating adventurous approaches to the interpretation of texts;<br>
              <br>
              RESPONSE--rejoinders to articles previously published in <em>Diacritics</em>              or in other journals.<br>
              <br>
              INTERVIEW--exchanges with well-known critics or, occasionally, with 
              artists that may be either edited transcripts of recorded conversations 
              or dialogues conducted in writing.<br>
              <br>
              Texts submitted to <em>Diacritics</em> will be read by several members of 
              the editorial board and evaluated collectively. Solicited articles 
              are subject to the same evaluative procedures and are judged on 
              the same standards as unsolicited material. The editors sometimes 
              need more than the customary six months to complete evaluations: 
              authors are asked to wait six months before mailing queries about 
              the status of their submissions.<br>
              <br>
              <em>Diacritics</em> submissions must adhere to the documentation style recommended 
              by the Modern Language Association and asks authors to prepare manuscripts 
              in accordance with the directives of the latest edition of the MLA 
              Handbook for Writers of Research Papers. The author's name should 
              not appear on the manuscript: eliminate self-references from the 
              text if those references will identify you and put any references 
              to your previous work in the third person. Authors should familiarize 
              themselves with <em>Diacritics</em> so as to have its format clearly in mind.<br>
              <br>
              1. </font><font size="1" face="Verdana, Arial, Helvetica, sans-serif">Submissions should include a brief abstract.<br>
              2. </font><font size="1" face="Verdana, Arial, Helvetica, sans-serif">Articles are typically between 9000 and 11,000  words in length.<br>
              3. </font><font size="1" face="Verdana, Arial, Helvetica, sans-serif">Prepare manuscripts according to the <em>MLA Style Guide</em>, Third Edition, with a  list of works cited containing all works quoted from or mentioned. <br>
              4. </font><font size="1" face="Verdana, Arial, Helvetica, sans-serif">List notes separately at the end of the  manuscript.&nbsp; Bibliographical information  provided in the list of works cited should not be duplicated in notes.<br>
              5. </font><font size="1" face="Verdana, Arial, Helvetica, sans-serif">Quote material from foreign sources in English  translation, from published translations whenever available. When quoting a  work that has not been translated, provide your own translation.&nbsp; If the context requires it, foreign terms or  phrases may be included in brackets after the original.<br>
              6. </font><font size="1" face="Verdana, Arial, Helvetica, sans-serif">Please send submissions as a .doc or .docx file  in an email attachment to <a href="mailto:diacritics@cornell.edu">diacritics@cornell.edu</a>.&nbsp; Include your mailing address and  institutional affiliation.</font></p>
            <p align="left"><font color="#333333" size="1" face="Verdana"><strong><a href="#TOP">&lt;TOP&gt;</a></strong></font></p>
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            <!-- #BeginDate format:Am1 -->October 7, 2011<!-- #EndDate -->
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