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								<span class="Museum_name">Laguna</span>
								<p><span class="Museum_name">Art Museum</span></p>
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									<span class="city_name">Laguna Beach, CA</span></p>
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						<p><strong><span class="picture_title">Laguna Art Museum</span><br />
								307 Cliff Drive<br />
								Laguna Beach, CA 92648<br />
								949.494.8971<br />
								<a title="opens in new window" href="http://www.mapquest.com/maps?city=Laguna+Beach&state=CA&address=307+Cliff+Drive" target="_blank">Map</a></strong></p>
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						<a title="opens in new window" href="http://www.lagunaartmuseum.org" target="_blank">www.lagunaartmuseum.org
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							<p><u><span class="picture_title">Exhibitions:</span></u></p>
							<p><em><a href="#Anchor-Th-2321">The Postwar Era: From the Collection, 1945-1980</a></em></p>
							<p><em><a href="#Anchor-Victo-39958">Victor Hugo Zayas: Mi Obra</a></em></p>
							<p><em><a href="#Anchor-Californ-10649">California Artists:: Late nineteenth and early Twentieth Centuries</a></em></p>
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								<a href="#Anchor-Calend-10687">Events<br />
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									<p><a name="Anchor-Th-2321" id="Anchor-Th-2321"></a><em>The Postwar Era: From the Collection, 1945-1980</em><br />
										February 26-April 29, 2012</p>
									<p>The Southern California art scene exploded with artistic innovation and social change post-World War II. The years 1945 to 1980 saw the creation and collapse of various art movements and shaped Southern California as a major cultural force. Laguna Art Museum continues to explore the Getty’s region-wide initiative Pacific Standard Time: Art in L.A. 1945-1980 with its own permanent collection, revealing important paintings, sculptures, and often overlooked artists from the crucial post-World War II years through the tumultuous period of the 1960s and 70s.</p>
									<p>Curated by Janet Blake and Grace Kook-Anderson, The Postwar Era includes works by Peter Alexander, Carlos Almaraz, John Altoon, Robert Arneson, Florence Arnold, Billy Al Bengston, Karl Benjamin, Wallace Berman, Hans Gustav Burkhardt, Francis De Erdely, John Decker, Phil Dike, Leonard Edmondson, Greg Erickson, Lorser Feitelson, Keith Finch, Llyn Foulkes, Richard Haines, Frederick Hammersley, Ejnar Hansen, Craig Kauffman, Adaline Kent, Roger Kuntz, Helen Lundeberg, Dan Lutz, Henry Lee McFee, John McLaughlin, Arnold Mesches, Lee Mullican, Gordon Onslow-Ford, Richard Pettibone, Ed Ruscha, James Strombotne, DeWain Valentine, and Jeffrey Vallance, Tom Wudl, and Jack Zajac.<br />
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										Beginning on the museum’s main level, the exhibition tracks the progress of representational art from sobering, realistic images of suffering and death made in the immediate postwar years to the lively experimentation, questioning, and irreverence of the 1960s and 70s. A room is devoted to the work of Roger Kuntz, subject of a revelatory exhibition at Laguna Art Museum in 2009.<br />
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										On the museum’s lower level, the exhibition continues with works selected and grouped to show the many directions taken by nonrepresentational art, beginning with a room devoted to one of its most vital practitioners, John Altoon. Further groupings highlight the more controlled, geometric compositions of hard-edge abstraction, and the “finish fetish” of artists who worked with the materials of modern technology.<br />
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										Laguna Art Museum’s official contribution to Pacific Standard Time, Best Kept Secret: UCI and the Development of Contemporary Art in Southern California, 1964-1971 (on display October 30, 2011-January 22, 2012), was a loan exhibition on a specific theme, the remarkable lineup of artists associated with UC Irvine in the 1960s and early 70s. In The Postwar Era, curators have mined the museum’s own collection for works created in many different places and in a wide variety of styles. These works represent artists who have loomed large in other Pacific Standard Time exhibitions along with some who have been overlooked in this massive initiative.</p>
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								<a name="Anchor-Victo-39958" id="Anchor-Victo-39958"></a><em>Victor Hugo Zayas: Mi Obra</em><br />
								February 26-April 29, 2012</p>
							<p>With a mixture of passion and bold energy, Mexican-American artist Victor Hugo Zayas (b. 1961) presents his expressionistic paintings of figures, landscapes, and cityscapes, and linear, abstract sculptures in <em>Mi Obra</em>. Zayas, who lives and works in Los Angeles, unveils his new sculpture series made from more than two tons of destroyed guns; he has created the works as a symbol of peace in conjunction with the Los Angeles Police Department’s Gun Buyback Program, which aims to take illegal firearms off of the streets of L.A.</p>
							<p><em>Victor Hugo Zayas: Mi Obra</em> will be on display in Laguna Art Museum’s Steele Gallery and will feature paintings and sculptures created in the last twenty years by contemporary Los Angeles artist Victor Hugo Zayas. “Mi obra” means “my work” in Spanish, Zayas’s native language.</p>
							<p>With a keen sense of observation, Zayas works swiftly. His subject matter encompasses the figure, landscape, and cityscape, and the breadth and generosity of his paints cover canvas and, surprisingly, paper. Looking to artworks by European masters such as Velázquez, Titian, Rembrandt, Fragonard, and Goya, Zayas has developed an expressionist style of paint handling that renders landscape as visceral, moody, and passionate.</p>
							<p>The exhibition also includes Zayas’s sculptures made of metal; these largely linear and abstract works convey a sense of kinetic movement as they draw attention to form. The expressionist energy seen in the paintings is transformed in the formal composition and negative spaces of his sculptures.</p>
							<p>Specially for <em>Mi Obra</em>, Zayas has created a new sculpture series made out of more than two tons of destroyed guns from the Los Angeles Police Department (LAPD) Gun Buyback Program. After the exhibition closes, the sculptures will be donated to the LAPD. In partnership with the LAPD and numerous community and faith based organizations, the Gun Buyback Program encourages individuals to surrender their firearms with no questions asked. Using these guns, which were capable of causing violence, Zayas’s sculptures will symbolize peace.</p>
							<p>“The LAPD is proud to be a partner in this ambitious and inspirational project,” says Commander Andrew J. Smith, commanding officer of the LAPD’s Public Information Office. “Removing weapons from the street and transforming them into artwork is another step towards making our communities safer.”</p>
							<p>Born in 1961 and raised in Mazatlan, Mexico, Zayas came to the United States in 1979. He graduated from United States International University in 1981 with a BFA and was awarded a Robert Kanyon Memorial Scholarship to attend Art Center College of Design in Pasadena, where he earned another BFA in 1986. He taught at Loyola Marymount University from 1987 to 1993. In 2005, Zayas created the Maestro Fine Arts Program in collaboration with Art Center College of Design, underwritten by the James Irvine Foundation. Along with Errol Gerson, Zayas founded the Dwight Harmon Memorial Scholarship Fund at Art Center. Zayas has lived and worked in Los Angeles for the past thirty years.</p>
							<p><em>Victor Hugo Zayas: Mi Obra</em> is guest-curated by Gregorio Luke. An expert on Mexican and Latin American art and culture, Luke is also a compelling speaker and lecturer. He is the former Director of the Museum of Latin American Art in Long Beach, former Consul of Cultural Affairs of Mexico in Los Angeles, and the First Secretary of the Embassy of Mexico in Washington, D.C.</p>
							<p>Accompanying the exhibition is a catalogue produced by Laguna Art Museum and designed by The Small Ad Shop, featuring an essay by art writer Peter Frank, a foreword by Gregorio Luke, and an introduction by Janet Blake.</p>
							<p>Also on display at this time in the museum’s main level and lower level galleries will be The Postwar Era: From the Collection, 1945-1980 and California Artists: Late Nineteenth to Early Twentieth Century, from the Collection.</p>
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								<a name="Anchor-Californ-10649" id="Anchor-Californ-10649"></a><em>California Artists:: Late nineteenth and early Twentieth Centuries<br />
								</em>October 24, 2011-April 29, 2012</p>
							<p>On view in the museum’s Upstairs Gallery is a selection of works from the Laguna Art Museum collection representing artists who worked in California in the late nineteenth and early twentieth centuries. Both northern and southern California artists are represented and include: Mischa Askenazy, Franz Bischoff, Carl Oscar Borg, Maurice Braun, Benjamin C. Brown, Frank Cuprien, William Swift Daniell, Edwin Deakin, Anna Hills, Thomas Hunt, Martin Jackson, Edgar Payne, Hanson Puthuff, Julian Rix, F. Carl Schmidt, Jack Wilkinson Smith, Gardner Symons, and William Wendt. Their varied styles are a reflection of their widely diverse backgrounds. That diversity is a direct result of the surge of immigration that occurred after the completion of the transcontinental railroad in 1869. As artists ventured west—first to San Francisco and then to Los Angeles—they began creating paintings that were shipped east, to Chicago, Philadelphia, and New York City. Paintings showing the grandeur of the western landscape drew attention from critics and dealers, which further encouraged artists to travel west. Some remained permanently, others only for a few months or years, and some maintained studios on both coasts.<br />
								.<br />
								Art colonies were established in Carmel, Santa Barbara, Laguna Beach, and San Diego. Laguna Beach gained fame through the work of artists such as Frank Cuprien, Anna Hills, Thomas Hunt, Edgar Payne, Gardner Symons, and William Wendt. The art colony in Laguna Beach became one of the most active, enjoying a national reputation by the early 1920s. The Laguna Beach Art Association, founded in 1918, played an important role in shaping the community. Their gallery on Cliff Drive, which opened in February 1929, forms the core of today’s Laguna Art Museum.The Young Artists Society Gallery is generously supported by Wells Fargo Foundation.<br />
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									<strong><font size="2" color="#100e0e" face="Georgia, Times New Roman, Times, serif">Copyright <span class="dimensions">2012</span> Art Museum Touring.com</font></strong></div>
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