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	 August  |  2011  |   Artcards Review	</title>

	
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				<h2 id="pagetitle">Archives for August, 2011</h2>

		


	  
  <div class="post home" id="post-4230">
    <h2 class="posttitle">
      <a href="http://artcards.cc/review/set-for-an-altered-state/4230/" rel="bookmark">Set for an Altered State</a>
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    <p class="date">
      by <a href="http://artcards.cc/review/author/aaron-harbor/" title="Posts by Aaron Harbor">Aaron Harbor</a> 
      on August 30th, 2011    </p>
    <div class="postcontent">
      <p><a href="http://artcards.cc/review/wp-content/uploads/2011/08/Set-for-an-Altered-State.jpg"></a><a href="http://artcards.cc/review/wp-content/uploads/2011/08/marsden2.jpg"><img class="alignnone size-full wp-image-4233" src="http://artcards.cc/review/wp-content/uploads/2011/08/marsden2.jpg" alt="" width="480" height="270" /></a></p>
<p><span style="font-family: garamond,serif;">My  fellow Americans. As a young boy, I dreamed of being a baseball, but  tonight I say, we must move forward, not backward, upward not forward,  and always twirling, twirling, twirling towards freedom.&#8217;- Kodos, </span><span style="font-family: garamond,serif;"><em>Treehouse of Horror VII</em></span></p>
<div><span style="font-family: sans-serif;"><em> </em></span></p>
<div><span style="font-family: sans-serif;">&#8216;&#8230;truth    and&#8230;wonder   in   this   country.   For&#8230;energy    and&#8230;inaction&#8230;love to move forward to&#8230;the exact same spot.   In the  end&#8230;time&#8230;needs all of you to deliver&#8230;the future.&#8217;- Excerpt from  text edited from a presidential speech, part of Lauren Marsden&#8217;s </span><em>Set for an Altered State, 2011 </em></div>
<div><em><br />
</em></div>
<div><span style="font-family: sans-serif;">A tying off of sorts for her (productive) time spent in California,<em> Set for an Altered State</em> at Sight School in Oakland is Lauren Marsden&#8217;s first solo installation. The installation is a well conceived set of objects comprising a single,  complete, immersive work. A cast off swim suit and sash of Miss  Department of Energy</span> (one of Marsden&#8217;s characters)  sit in  a pile of sand with a souvenir postcard of a de-ribbon  cutting at a nuclear site decommissioning sits off to the side. There is a  lectern with a remixed presidential speech (mashing power/energy,  patriotism, and unity), a glitchy projection of idyllic wind turbines before a super  blue sky, a pair of stage lights on the floor, and a , loud  industrial fan activating a large, impossibly beautiful golden flag  which emphatically flutters-  all situated in the flat black gallery. <a href="http://artcards.cc/review/set-for-an-altered-state/4230/#more-4230" class="more-link"><nobr>Continue Reading More &raquo;</nobr></a></div>
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  <div class="post home" id="post-4218">
    <h2 class="posttitle">
      <a href="http://artcards.cc/review/east-coast-debut-tales-of-the-waria/4218/" rel="bookmark">East Coast Debut: &#8220;Tales of the Waria&#8221;</a>
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    <p class="date">
      by <a href="http://artcards.cc/review/author/cielo/" title="Posts by Cielo Lutino">Cielo Lutino</a> 
      on August 11th, 2011    </p>
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      <div id="attachment_4224" class="wp-caption alignnone" style="width: 538px"><a href="http://artcards.cc/review/wp-content/uploads/2011/08/Tiara-applies-lipstick_photo-by-Kathy-Huang.jpg"><img class="size-full wp-image-4224  " src="http://artcards.cc/review/wp-content/uploads/2011/08/Tiara-applies-lipstick_photo-by-Kathy-Huang.jpg" alt="" width="528" height="359" /></a><p class="wp-caption-text">Tiara, one of the film&#39;s main characters, applies make-up. Photograph by Kathy Huang.</p></div>
<p>I know very little about Islam, not much more about Indonesia, and absolutely nothing about being transgendered. These shortcomings didn&#8217;t prevent me from relating to <a href="http://www.facebook.com/thewaria">Tales of the Waria</a>, however, <a href="http://caamedia.org/blog/filmmaker-profile/2011/03/03/interview-with-director-kathy-huang-tales-of-the-waria/">Kathy Huang&#8217;s documentary</a> about four transgendered women in Indonesia, home to the world&#8217;s largest Muslim population. Filmed in the cinematic coastal region of South Sulawesi, this sumptuously shot narrative follows four waria — a mash-up of wanita, which means woman, and pria, which means man — in their respective quests for love. <a href="http://artcards.cc/review/east-coast-debut-tales-of-the-waria/4218/#more-4218" class="more-link"><nobr>Continue Reading More &raquo;</nobr></a></p>
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  <div class="post home" id="post-4196">
    <h2 class="posttitle">
      <a href="http://artcards.cc/review/beautiful-vagabonds-yancey-richardson-gallery/4196/" rel="bookmark">Beautiful Vagabonds @ Yancey Richardson Gallery</a>
    </h2>
    <p class="date">
      by <a href="http://artcards.cc/review/author/gabriella/" title="Posts by Gabriella Radujko">Gabriella Radujko</a> 
      on August 9th, 2011    </p>
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      <p><img class="size-full wp-image-4197 alignnone" title="Kahn_Selesnick__KingoftheBirds-1" src="http://artcards.cc/review/wp-content/uploads/2011/08/Kahn_Selesnick__KingoftheBirds-1.jpg" alt="" width="350" height="350" /></p>
<p>Yancey Richardson Gallery signaled appreciation for the naturalist John Burroughs by naming the summer group show <em>Beautiful Vagabonds</em>, the writer’s poetic keywords for birds.   Few works exemplified a naturalist’s approach to photography, however, demonstrating fitting curatorial restraint for a subject-based show intent on catholicity. Among them <em>Sustenance #114</em> by Neeta Madahar, <em>Policeman</em> by Jitka Hanzlová<em>, American Goldfinches</em> by Paula McCartney, and Terry Evans’ <em>Field Museum, Drawer of Eastern Meadowlarks, </em>works corresponding to what one would see in a natural history museum. <a href="http://artcards.cc/review/beautiful-vagabonds-yancey-richardson-gallery/4196/#more-4196" class="more-link"><nobr>Continue Reading More &raquo;</nobr></a></p>
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  <div class="post home" id="post-4177">
    <h2 class="posttitle">
      <a href="http://artcards.cc/review/glutton-for-video-art-at-ramis-barquet/4177/" rel="bookmark">Glutton for Video Art at Ramis Barquet</a>
    </h2>
    <p class="date">
      by <a href="http://artcards.cc/review/author/amanda/" title="Posts by Amanda Schmitt">Amanda Schmitt</a> 
      on August 2nd, 2011    </p>
    <div class="postcontent">
      <p style="text-align: center">
<div id="attachment_4182" class="wp-caption aligncenter" style="width: 522px"><a href="http://artcards.cc/review/wp-content/uploads/2011/08/greenpink.jpg"><img class="size-full wp-image-4182 " src="http://artcards.cc/review/wp-content/uploads/2011/08/greenpink.jpg" alt="Marilyn Minter, Green Pink Caviar, video, 8:00, 2009, courtesy of Ramis Barquet Gallery" width="512" height="288" /></a><p class="wp-caption-text">Marilyn Minter, Green Pink Caviar, video, 8:00, 2009, courtesy of Ramis Barquet Gallery</p></div>
<p style="text-align: left">If you find yourself trekking under the hot sun and making the gallery rounds in Chelsea on a 98°F day in the middle of July, then you are surely a glutton for punishment. However, thanks to the cool respite of air conditioning in <a href="http://ramisbarquet.com/">Ramis Barquet Gallery</a>, one can comfortably experience another sort of &#8220;<em>Glutton for Punishment</em>,&#8221; as this annual group <a href="http://en.wikipedia.org/wiki/Video_art">video</a> exhibition is aptly titled. Rather than a traditional video screening with a seated, theater arrangement, curator Nicholas Kilner presents each of the five videos separately,  realizing a unique exhibition format and creating an immersive video experience. As the press release perfectly describes, &#8220;each of the works included uses video as a platform to explore the body in all its physicality and its subjectivity to innocent and aggressive desire.&#8221; <a href="http://artcards.cc/review/glutton-for-video-art-at-ramis-barquet/4177/#more-4177" class="more-link"><nobr>Continue Reading More &raquo;</nobr></a></p>
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